Stop and Then Don't Stop

A few times each winter it will snow in our region of East Tennessee.  The rule of averages says 71% of the time it will snow on a work day.  Nothing like sitting in the office thinking about all the photo opportunities that are slowly melting away.  This weekend we hit the 29% and got snow on Saturday morning.

It was a bit too warm in Kingsport for any accumulation of the white stuff, but less than 60 miles

away is Carver's Gap at 5,550 feet and Roan Highlands.  It's usually 8 - 10 degrees colder and they can get a lot more snow.   

I've had some special times photographing winter scenes up there, but not this time.   It was in the low 20s and the wind was fierce as you can see in the video below.   At one point, my glasses fogged up then the fog froze into a nice layer of frost.  Nothing like trying to see through frosted glasses.  There was no cleaning it off without getting somewhere warmer.  

There were about a dozen cars up there with a few people hiking up the trail and a couple guys coming down after camping out the night before.   The strangest thing we saw was a young lady getting out of the car next to us wearing a fur coat with a red dress underneath and a crown if what looked like ice crystals on her head.  She and her photographer headed into the woods to take Ice Princes photos.  We stayed out of their way and didn't stick around long enough to talk with them.   I hope she had some thermals on under that dress!  I'd love to see how the photos came out.

On the way up we had passed a couple photographic opportunities that looked interesting.  Not seeing a good place to turn around and wanting to get to the top I kept driving and said we would get them on the way back down.   One was a bunch of Cattails that were covered with snow on one side.  By the time we got back much of the snow was blown off the Cattails.   As the blog title says, I should have stopped on the way up.  A little further down we stopped at the second spot. 

What we had seen was a field of dried up Coneflower stalks with the round spiked heads of the dead flowers covered with snow.   They looked like some kind of new ice cream desert - an entire field of candy balls on sticks dipped in vanilla ice cream.  Willy Wonka's Chocolate Factory in the Winter.  I got this first shot showing a bunch of the cold delights.

Coneflower Field

Of course I didn't want to stop there.   This time there was a gentle breeze and the temps were in the upper 20s.  Much more conducive to spending time and looking for other shots.

Getting in a little closer to the flowers, I could see the spikes left over from better days.

Snowflakes on Coneflower

Getting in even closer, I could see the individual snowflakes where the wind had stuck them to the flower head.   Be sure to click the images to get a full screen view where you can see the details.

I need to remember to stop when I see something I might want to spend some time photographing.  If I had listened to June we would have stopped on the way up (first rule of photography - listen to your spouse).  Once stopped I need to not stop at the obvious shots but keep looking for different angles, compositions, and photos that can tell a story.

Getting Out Of The Slump

Everyone has one from time to time.  That period where we are not doing our best and are having a hard time getting motivated to pull ourselves out of the slump.   Each year when winter rolls around I fall into a photographic slump.  I look outside and see brown and gray.   I don't see anything that makes me want to pack up my camera gear and head out looking for interesting photographs that might be waiting to be captured.   My camera can sit on the shelf for weeks at a time.

Today I have decided to do something about it.   I'm starting a weekly photo challenge put on by PhotoChallenge.org.  Each week the photo challenge authors will throw down a challenge in the form of a photographic theme.  The challenge is to go out and make a photo within the theme of the week.   The themes are designed to challenge photographers to try new things, get a bit out of the box, and best of all -- practice the art of photography.

I made my decision on day 6 of the first week so I had to move quickly.  The theme for this week is MACRO - KITCHEN.   I needed to quickly  make a close up or macro photo of something in our kitchen.   After spending about one minute looking around the kitchen this evening, I came across my subject for the week -- toothpicks.

Week 1 - MACRO KITCHEN - Toothpicks

These are in a little round plastic bottle designed so you can shake one out of the top at a time.  Taking the top off the bottle reveals a repeating pattern of miniture logs daid out in a spiral pattern.

I tried shooting this with my 100mm macro but the depth of field (DOF) was too small.  I couldn't get a photo with most of the toothpicks in focus.   I switched to a 70-200 zoom with a 36mm extension tube, which allowed me to focus closer to the subject.  This was taken at 200mm f/29 and then cropped down to a square image.

I'll learn what the next challenge is in the next few days.  I can hardly wait.   The slump is over!

My Favorites of 2014

At the end of each year, I like to go through my photos from the past 12 months and pick out my
favorites.

This year I have picked 15 and loaded them on my website - Favorites from 2014

These are my favorites, but probably not my best, photos of 2014. I picked them because they bring back good memories from the past year.  When I look back, all but one of these were taken while June was with me.  I always make better photos when she is with me because she has such a great eye.   It's why this is The Siggins Photography and not Richard Siggins Photography.   We may a great team and I wouldn't be half as good without her.

I hope you enjoy these.

The Early Bird

"Faith is the bird that feels the light when the dawn is still dark."

Rabindranath Tagore

Indian Poet

The best time to take photos outdoors is the hour around sunrise or sunset.   If you want to avoid other people in your photo, dawn is the perfect time.  Few people will be up and about at sunrise.   It's my favorite time to make photos.

The problem with taking photos at dawn is I have to head for my destination long before I know what the conditions will be like.  Will the sun paint the clouds with brilliant reds, oranges, and yellows or will the sky be overcast and gray?  I have found that weather forecasts will give a general idea what to expect, but often the moment the sun breaks the horizon will be very different from the forecast.   I have to get up when it's still dark and see what is in store when I get there.

Blue Heron in Morning Light

On a recent trip to visit my family in South Florida June and I got up early and left the house while everyone was still comfortably asleep.   Our destination was Wakodahatchee Wetlands.  This is a favorite place to photograph birds in a natural setting.  Boardwalks snake throughout the wetlands, making it easy to get close to birds, gators and other wildlife.  On this morning, there were fewer birds than what we had seen in the wetlands before.  Mid-December is a few weeks early for nesting activities and brilliant mating colors that present many photographic opportunities.  However, there were still enough birds to fill all our available time and the rising sun bathed the scenes in a warm soft light, like the photo above.

We don't always have the gift of sunrise colors on every outing but if we didn't get up while it is still dark we would never get to experience the beauty of a sunrise and the beautiful colors of dawn. 

“Never be afraid to trust an unknown future to a known God.” 

Corrie ten Boom

Calendar Chronicles - December 2014

The number of days left in 2014 is getting smaller and smaller.  Just a few more weeks left before it will be time to replace the 2014 calendar with the 2015 edition.  But, not yet.  

The photo for December 2014 is the road going from Carvers Gap on the TN/NC border up the mountain to the Rhododendron Gardens.   The only travelers on that road this day in March 2013 were cross country skiers.  It was a Saturday morning and I was able to get up to Carvers Gap just after sunrise before the road was plowed.  There were just a handful of hardy (some say crazy) photographers and skiers.  The snow was unbroken and beautiful.  The photo of the pines in the snow that is on the calendar page was  taken on this same day on the Roan Mountain Balds.

Taking photos of snowy scenes like this has special challenges.  You can read some of my suggestions from an older post here.

I felt very alone up there that morning.  The blanket of snow absorbed what little sound there was.  While I saw cross country ski tracks, I didn't see a single person on this side of highway 143.  It was like I was alone in the world.  But no matter how alone we my feel, The Lord is always in our midst.  I believe God rejoices when we are out in His creation, enjoying the natural beauty.  This was both a calming  and a joyful experience for me.  I am looking forward to more snow!

Go Wide!

The college football season is rapidly approaching the end of the regular season and the beginning of the bowls.   Going wide is something we'll hear when talking about football wideouts and wide receivers. Maybe we'll hear it this Saturday in the Florida - Florida State game, but I'm afraid the passing will favor the Seminoles this year.

We can also go wide in photography.   A wide angle lens is typically in the 24mm - 36mm range with ultra-wide having shorter focal lengths and standard or normal lenses having longer focal lengths.  The are called wide angle because the angle of view through the lens takes in so much more.  A 28mm lens has a 75 degree angle of view, while a 135 mm has only an 18 degree view.

The typical way to use a wide angle is to capture a big wide landscape scene.

Shaker Village

Reel Foot Lake 

Both the Shaker Villiage and Reel Foot Lake photos were taken at 17mm.   They take in a lot of the scene from the far left to the far right.   This is a perfect use for a wide angle lens, but not the only use.

When you place objects close to a wide angle lens their size is magnified relative to objects that are further away, like in this photo of the Cable Mill in Cades Cove.

Cable Mill @ 24mm

What if you turned your camera and took a portrait (taller) orientation shot?   Same effect - things that are close appear much bigger.

22mm

In the photo to the left the white flower is the obvious subject.  It is bright and big, demanding attention.   The purple flowers in the background are hardly noticeable, but they do add some depth to the photo.

I've found this is a fun way to get close up shots but include the environment around the subject in the photo.   Wide angle lenses also tend to have a much deeper depth of field, making it easier to keep the close subject and far background in focus.

21mm

17mm

I've used this technique with flowers to draw people's attention to the flower.  You can use the same technique on other subjects, but beware.  If you use a wide angle lens to photograph a person up close you can get a photo with a large nose or ears.  Not too flattering.

Next time you're out try turning your camera into the portrait orientation and going wide!

Stop, Look and Listen

I may not remember much about growing up, but I do remember - "Stop, Look, Listen!"   We were taught to do this before even thinking about crossing a road.  Look to the left and to the right, and listen for approaching vehicles. It was so ingrained in the minds of our generation that it The Stylistics released a soul song by that title in 1971, followed up by Marvin Gaye and Diana Ross in 1974.

It's a good think to remember in photography as well.   Those of us who are nature or landscape photographers can easily fall into the trap of getting to a place and shooting the first thing that looks good to us, then moving on. I call this the shoot and go approach.  It's easy to do, but we miss the great shots by not stopping and looking around.   The first shot we make is most often not the best one.  There are always other angles, other compositions, and other subjects in an area.  Each one can tell a different story.

Here's two examples.   The first shot shows two  Adirondack Chairs under a tree. What' kind of story does this tell?  The leaves n the gree and the grass are still green, but there are brown leaves on the ground under the tree.  It's early fall.  The chairs are inviting under the shade.   Just imagine yourself with your favorite person you enjoy being with sitting in those chairs on a cool fall day listening to birds and watching horses run in the near by pasture.  Sound like a good place to be?   

A photo is more interesting to the viewer if they can imagine themselves in the photo.  It creates a sense of connection.   Can you imagine yourself there?

This was just outside the room where we were staying at Shaker Village in Kentucky.  It was an obvious photo for me, but not the only shot.   Notice the two leaves on the chair on the right?  There was a photo in there as well.

Taken at the same place and the same time of day, this second photo tells a completely different story.  The subject is no longer the chair, lawn, or trees.  You can't even see those things in this composition.  The subject is the dried leaf stuck in the slats.  The first photo had a lot of green and only a little yellow or brown, this photo is almost entirely brown.  To me it is a story of the end of life for the leaf.   Same place, different story.

I could have stayed in a 20 foot circle for an hour taking different pictures of leaves, grass, chairs, and tree trunks.   What possibilities do you see in these photos?

Here's a suggestion for avoiding the shoot and go approach and slowing down to look for photos beyond the obvious.  When you get to a place just stand or sit for a while and take it all in.  Walk around a little and enjoy what God has made.   Don't even try to make a photo until after you have had time to stop, look and listen.   You'll find many more photographic opportunities right in front of you.