Avoiding Mergers

Last week I wrote about how slight changes in the camera position and focal length of the lens can have an unexpected impact on a photo.   Today I want to give an example of changing the camera position to avoid something called mergers.

While on our recent trip to Iceland with great friends and photographers we stopped at a small stream just off the road.   The water was smooth and partially covered with a skim of ice.   Add a very interesting cliff face in the distance and you have many opportunities for interesting compositions.

Some of our group shooting the reflections

To get the mountain and cliffs in the reflections you must position your camera low, just a few feet off the ground and surface of the water.  

55mm and lower position

The stream had some thin ice on the surface, which added some interest to the surface reflections.  I picked out a position where the shape of the skim ice and the near bank mirrored the shape of the mountain in the distance.  You can see this in the photo above.

I made several different shots at different focal lengths, camera heights and positions.  I also changed the camera from landscape to portrait orientation.  When out in the field it's important to move around and try different angles, heights, focal lengths, etc.  It's frustrating to get home and realize I missed the best photo because I didn't move around and look for different compositions. When I got home I had 28 different photos from this location to choose from. In the end, I choose the photo below as my favorite.

50mm and higher position

There is only a slight difference between the two photos and it's in the space between the ice and the reflection of the mountain in the water.  Both photos show the ice mirroring the reflection of the mountain, but the second photo above has a little more separation between these two elements.  If I had positioned the camera even lower the ice and mountain reflection would have merged or overlapped.  When compositing a shot it is important to pay attention to mergers between important elements and avoid them when possible.  Here's a short article on mergers with a better example.

This example and the one from last week illustrate how little changes can improve a photo.   I hope you get some value from these examples.  I'm still working through my photos from Iceland and will post more as I make more progress.

The Early Bird

"Faith is the bird that feels the light when the dawn is still dark."

Rabindranath Tagore

Indian Poet

The best time to take photos outdoors is the hour around sunrise or sunset.   If you want to avoid other people in your photo, dawn is the perfect time.  Few people will be up and about at sunrise.   It's my favorite time to make photos.

The problem with taking photos at dawn is I have to head for my destination long before I know what the conditions will be like.  Will the sun paint the clouds with brilliant reds, oranges, and yellows or will the sky be overcast and gray?  I have found that weather forecasts will give a general idea what to expect, but often the moment the sun breaks the horizon will be very different from the forecast.   I have to get up when it's still dark and see what is in store when I get there.

Blue Heron in Morning Light

On a recent trip to visit my family in South Florida June and I got up early and left the house while everyone was still comfortably asleep.   Our destination was Wakodahatchee Wetlands.  This is a favorite place to photograph birds in a natural setting.  Boardwalks snake throughout the wetlands, making it easy to get close to birds, gators and other wildlife.  On this morning, there were fewer birds than what we had seen in the wetlands before.  Mid-December is a few weeks early for nesting activities and brilliant mating colors that present many photographic opportunities.  However, there were still enough birds to fill all our available time and the rising sun bathed the scenes in a warm soft light, like the photo above.

We don't always have the gift of sunrise colors on every outing but if we didn't get up while it is still dark we would never get to experience the beauty of a sunrise and the beautiful colors of dawn. 

“Never be afraid to trust an unknown future to a known God.” 

Corrie ten Boom

Scouting For Ideas

I'll be leading a photo outing to South Holston Dam near Bristol Tennessee on August 16 for the Eastman Camera Club.   Anyone is welcome to join us.   Trip details are available at http://eastmancameraclub.blogspot.com/2014/07/next-camera-club-outing-saturday-august.html   Send me an email if you have questions - r.siggins@charter.net

It's been a couple years since I was up there and I decided I had better do a little scouting before next Saturday.   I need to have some suggestions for photography to offer.  Here's what I found.

The wildflowers are not the primary photo opportunity in mid-August.  The Cut Leaf Coneflowers that bloom along the river banks have seen better days.   There were a few Jewelweed or Touch-Me-Not still in bloom, but they were not growing where they were easy to get to.

TVA was generating so the water flow was pretty high over the Weir Dam and after a couple cloudy rainy days the sun was out making it difficult to take long exposure shots of the flowing water.

What I found was some really cool reflections and patterns.

Hanging On

Golden Reflections

Cut Leaf Coneflowers

Golden Flow

Stump - Long Exposure

Reflections

Repeating Patterns

Weir Dam Patterns

If you join us Saturday, here's some suggestions:

Stuff to bring:

• A picnic dinner.  We will eat and have some social time at the picnic area before starting our photographic journey.
• A tripod.  You will want to try some long exposures of the water flow.
• A polarizing filter.  It can make a tremendous difference with the reflections and the fog that rises off the river in the evenings.
• A long lens.   I found I wanted something longer than 200mm for many of my shots.   Except from the top of the dam, there are not many wide angle shots.
• A neutral density filter if you have one.  It will cut the light and allow you to get longer exposures and blur flowing water.
• A hat or something to shade the front of your lens.   Late afternoon sun can cause flares in your pictures if it shines on the front of the lens.
• Comfortable shoes.  There is a nice 1.8 mile trail around Osceola Island.  This is where we will spend most of our time.
• Bug spray.  There were a few pesky bugs but nothing bad.

Things to look for:

• Reflections in the surface of the water.  The greens will give way to golden reflections as the sun gets lower.
• People fishing, canoeing, etc.  People can add interest to your photos.
• Patterns
• The little details
• Light - no telling what the light will be like when we get there.  We'll work with what we get.  If we're lucky there will be some clouds, but enough light to give the warm light of sunset. 
• Fog - sometimes the fog off the river is very thick.   This creates perfect soft light.  Watch for sunbeams in the fog.
• Wildlife.  I haven't seen any wildlife there, but it should be a good place for herons and other birds.

If you are interested in joining us meet me at the Colonial Heights location or up at the Weir Dam.   If you have questions just email me at r.siggins@charter.net

Reflections of Fall

A shot I enjoy getting is window reflections.   If I position my camera just right I can get some really cool subjects reflecting in the windows.   If the window happens to be in an old building with a lot of character then the window frame and walls can really focus attention on the reflections.   Here's three I've done.

 

 

 

 

 

Harper's Ferry, West Virginia

 

 

 

 

 

 

 

 

 

Cradle of Forestry, North Carolina

 

 

 

 

 

Church Windows Somewhere in New England

I got the church on a recent photography workshop.  We chris-crossed across Maine, New Hampshire and Vermont so many times I lost track of exactly which state we were in.   It's in one of those three.

All three of these shots just happen to have been taken in the fall.   The Harper's Ferry shot was October 2010 and the other two were October 2011.   I like the texture of the walls in the first two and the horizontal lines in the last one.

A polarizing filter is not necessary for window reflections but it can be used to adjust how much reflection you want in the window.  In the Harper's Ferry photo I wanted to be able to see inside the building and see the reflections.  I adjusted the filter to get the balance I was looking for.  In the second two I wanted all the color and light I could get in the reflections. 

If you try these shots, just make sure you watch for unwanted elements in the reflections, such as buildings, lights, people or even yourself!

The fall color is pretty close to gone for this year, but I'm going to enjoy these for a while longer.